acoustics5 (S3) · Construction Documentation Phase

MediaVerse Acoustic Study

Comprehensive acoustic design documentation for a professional 3-room media production facility. TechTown Building B3, Basement Level, NW Corner, Damascus, Syria.

34.42
Zone Area (m²)
3 + 1
Rooms + Buffer
2.75 m
Ceiling AFF
3.40 m in Video/Podcast
S3
Dataset (acoustics5)
16
Panels Installed
14 absorption + 2 QRD
6
Wall Types
3
IDU Units
4
Silencer Runs

01 — Project at a Glance

ParameterValue
ProjectMediaVerse Studio Complex
LocationTechTown B3, Basement, NW Corner, Damascus
OwnerObai Sukar
ArchitectSara Kalash, Threefold Studio
Basis of designDXF B301–B308, March 28 2026
Zone area34.42 m²
Rooms3 production + 1 buffer spine
Ceiling AFF275 cm [AC]
Float floor15 cm Sylomer SR28 + 2×18mm T&G [AC]
Perimeter gap10mm → backing rod → Tremco [AC]
HVACDaikin VRF (NOT Samsung) — unit model/capacity per mechanical design (architect MEP B302–B308)
Dataset versionacoustics5 / S3 (locked)

02 — Methodology

This acoustic study follows a structured analytical approach derived from the architectural DXF drawings (B301–B308, dated March 28, 2026) provided by Sara Kalash of Threefold Studio.

Data pipeline: Architect DXF (B301–B308) → acoustics5 / S3 (locked dataset) → Sabine/Norris-Eyring calculations → independent verification → this document.

Calculation methods:

MetricMethodStandard
RT60Sabine equationT = 0.161V / A
Room modesAxial mode formulaf = c / (2L)
Schroeder frequencySchroeder equationf = 2000√(T/V)
NC curvesASHRAE standardOctave-band SPL limits
STC ratingsASTM E413Lab → field derating 3–7 dB

03 — Zone Geometry

ParameterValue
South wall737 cm
North wall860 cm
East wall431 cm
NW diagonal448 cm
Net area34.42 m²
Slab-to-slab366.4 cm
Acoustic ceiling275 cm AFF [AC]
Float floor15 cm buildup [AC]
Perimeter gap10mm [AC]
Column COL_W60×50cm at (369.1, 140.6), 10mm air gap [AC]
Column COL_E60×55cm at (762.1, 138.1)

04 — Room Layout (3 rooms + buffer)

VO Live

B304 · Recording
Area4.24 m²
Volume11.66 m³
NCNC-12
RT600.217s

Control Room

B311 · Mixing
Area6.97 m²
Volume19.17 m³
NCNC-18
RT600.307s

Video/Podcast

B312 · Video / Podcast
Area19.78 m²
Volume67.3 m³
Ceiling3.40 m clear (high)
NCNC-18
RT600.284s

Buffer Spine (W5): X = 213.6–228.6 cm, STC 55 class, NEW BUILD (BOQ W-07 — the B3 zone is one empty open shell; no spine, partition or interior wall exists on site, so there is nothing to demolish). Separates west zone (VO Live + Control) from the east Video/Podcast room. All silencer runs route through the buffer spine; the only other penetrations are the sleeved SN-03 snake crossings.

05 — Room Modes

What Are Room Modes?

Room modes are resonant frequencies determined by room dimensions. At these frequencies, sound waves reflect between parallel surfaces and create standing waves — areas of reinforcement (loud spots) and cancellation (dead spots).

The axial mode formula is: f = c / (2L) where c = 343 m/s (speed of sound) and L = room dimension in meters.

Below the Schroeder frequency, individual modes dominate the room’s response. Above it, modes overlap sufficiently that the sound field becomes statistically diffuse.

RoomLength (Hz)Width (Hz)Height (Hz)Schroeder (Hz)
VO Live53.8128.962.4273
Control63.566.562.4253
Video/Podcast35.841.550.4130

06 — RT60 Analysis

What Is RT60?

RT60 (Reverberation Time) is the time it takes for sound to decay by 60 dB after the source stops. It is the primary metric for characterizing a room’s acoustic “liveness” or “deadness.”

Calculated using the Sabine equation: T = 0.161V / A where V = room volume (m³) and A = total absorption (sabins).

For recording studios, shorter RT60 values (0.2–0.4s) are preferred to minimize coloration of recordings.

VO Live (B304)

BandTarget (s)Achieved (s)Status
125 Hz0.250.242✓ Pass
250 Hz0.220.232✓ Pass
500 Hz0.200.221✓ Pass
1 kHz0.180.214✓ Pass
2 kHz0.180.217✓ Pass
4 kHz0.180.220✓ Pass

Control Room (B311)

BandTarget (s)Achieved (s)Status
125 Hz0.400.228✓ Pass
250 Hz0.380.239✓ Pass
500 Hz0.350.236✓ Pass
1 kHz0.330.221✓ Pass
2 kHz0.330.206✓ Pass
4 kHz0.330.204✓ Pass

Video/Podcast (B312)

BandAchieved (s)Status
125 Hz0.339✓ Pass
250 Hz0.301✓ Pass
500 Hz0.245✓ Pass
1 kHz0.225✓ Pass
2 kHz0.232✓ Pass
4 kHz0.243✓ Pass

The widened, high-ceiling (3.40 m) Video/Podcast room absorbed the former east-zone footprint. Its larger volume (67.3 m³) and 6 wall panels + 6 deep superchunk corner traps + a multi-colour curtain backdrop + a deep perimeter bass soffit + a lean 28% ceiling cloud deliver a mid-band RT60 of 0.284s (ISM, flat green-screen reference state).

07 — Noise Criteria

What Is NC?

Noise Criteria (NC) is a standard for rating background noise levels in occupied spaces. Each NC rating defines maximum allowable sound pressure levels across octave bands from 63 Hz to 8 kHz.

Lower NC numbers mean quieter rooms. NC-12 is extremely quiet (recording studio grade), while NC-18 is typical for private offices.

RoomNC Target631252505001k2k4k8k
VO LiveNC-125140332622191716
ControlNC-185444373127242221
Video/PodcastNC-185444373127242221

08 — STC Wall Ratings

What Is STC?

Sound Transmission Class (STC) is a single-number rating of how well a wall, floor, or ceiling assembly blocks airborne sound. Higher STC = better isolation.

Lab vs Field: Lab STC is measured under ideal conditions. Field STC is typically 3–7 dB lower due to flanking paths, penetrations, and construction quality. Always design to field expectations.

WallIDLab STCField STCAssembly
North perimeterW16558–62300mm concrete + RSIC-1 + 50mm RW + 2×gyp
West diagonal (existing gypsum)W2~60 (class)55–60Existing gypsum wall (kept, NO fixings into it) + ≥25mm air gap + NEW independent 70mm stud leaf w/ RWA45 + 2×12.5 SoundBloc + GG (PW-02)
East server wall (existing gypsum leaf)W36255–59Existing gypsum leaf to B313 SERVER ROOM (24/7 noise) + ~100mm existing air gap (KEPT UNFILLED) + 16cm NEW decoupled stud leaf (PW-04) = 26cm total
South (existing gypsum, lined to STC 50)W45044–48Existing gypsum partition lined/rebuilt (PW-03): 2×12.5mm gyp + Green Glue + 100mm studs+RW + 2×12.5mm gyp + Green Glue; D1/D5 framed openings on steel subframes — no concrete cutting, no lintels
Buffer spine (NEW BUILD)W55549–53NEW BUILD (W-07): 2×12.5mm gyp+GG + 100mm studs+RW + 2×12.5mm gyp+GG; head sealed to slab
VO/Control partitionW65347–51Partition with obs. window OW-1 (STC 50)

09 — Acoustic Treatment

RoomPanelsBass TrapsQRDCeilingSpecial
VO Live53028% cloud1× velour curtain
Control3 [AC]3 + 1 soffit228% cloud
Video/Podcast66 superchunk028% cloudMulti-colour curtain backdrop (N + E-half); perimeter bass soffit; in-shot rug; COL-W wrap

Total panels installed: 14 absorption + 2 QRD, order ~16 absorption panels (10% waste buffer). The multi-colour curtain backdrop now carries the Video/Podcast mid/high absorption, so the room drops to 6 wall panels. Corner bass traps: 3 VO full-height + 3 Control full + 1 Control soffit + 6 Video/Podcast deep superchunk (400–600 mm) + a deep perimeter bass soffit + ceiling clouds. 125Hz membrane traps: 10 (VO 3 + Control 3 + Video/Podcast 4, tuned ≈123 Hz). Panel spec: Rockwool RWA45 50mm, 1200×600mm, NRC 0.90.

[AC] Control Room first-reflection panels (3) are non-negotiable — acoustic performance depends on them.

10 — Mechanical Systems

Cooling Without Noise

The challenge in studio HVAC is delivering adequate cooling without introducing audible noise. Every component — compressor, fan, ductwork, diffuser — generates sound that must be attenuated below the room’s NC target.

Silencers (lined duct sections) absorb sound energy. Longer silencers with lower air velocities achieve greater attenuation. The system uses Daikin VRF (NOT Samsung) with 3 indoor units serving 3 rooms.

IDU Assignment

IDUServesType
IDU-04VO LiveDedicated
IDU-03ControlDedicated (former shared branch capped at trunk)
IDU-05Video/PodcastDedicated

Silencer Schedule (5 Runs)

RunLengthAttenuationMax VelocityNC ContributionServes
A1500mm40dB1.5 m/sNC-12VO Live
B1000mm25dB2.0 m/sTrunk (splits to B1+B2)
B1500mm15dB2.0 m/sNC-18Control branch
B2300mm10dB2.5 m/sNC-18Control branch — RETAINED + re-rated (BOQ HV-02)
C1000mm25dB2.0 m/sNC-18Video/Podcast

11 — Control Room Monitors

Stereo Monitoring Triangle

The monitoring position forms an equilateral triangle with the two speakers. The listener sits at one vertex, with speakers at ±30° from center. This geometry ensures accurate stereo imaging and phantom center.

The listening position at 68% of room depth (1.54m from front wall) places the listener behind the worst room mode peaks, which typically occur at 50% depth.

ParameterValue
MonitorsGenelec 8030C (L+R)
Angle±30° stereo triangle
Listening position1.54m from front wall (68% depth)
Removal reasonBelow Schroeder 253 Hz — not suitable for 6.97 m²

12 — Construction Package

The construction documentation package includes installation sequences, treatment layouts, junction details, penetration sealing protocols, testing procedures, and bills of materials. All documents reference acoustics5 / S3 and include [AC] markers for acoustically critical items.

DocumentSectionPurpose
INSTALLATION-SEQUENCEConstructionPhase-by-phase build order with hold points
TREATMENT-LAYOUTSConstructionPanel placement per room
PENETRATION-SEALINGConstructionAcoustic seal details for all penetrations
JUNCTION-ISOLATIONConstructionWall-floor-ceiling junction details
TESTING-COMMISSIONINGConstructionVerification protocols
INSPECTION-CHECKPOINTSConstructionQC hold points
BOM-TREATMENTBOMsTreatment materials schedule
BOM-DOORS-WINDOWSBOMsDoor and window specifications
BOM-ELECTRICALBOMsElectrical infrastructure

13 — Complete File Index

SectionFileTypeStatus
Rootindex.htmlHub✓ Live
Roomsrooms/index.htmlIndex✓ Live
Roomsrooms/ROOM-VO-LIVE.htmlDetail✓ Live
Roomsrooms/ROOM-CONTROL.htmlDetail✓ Live
Roomsrooms/ROOM-STUDIO.htmlDetail✓ Live
Roomsrooms/ROOM-BUFFER.htmlDetail✓ Live
Studystudy/MAIN-REPORT.htmlReport✓ Live
Studystudy/ASSUMPTIONS-LIMITATIONS.htmlReport✓ Live
Constructionconstruction-guides/INSTALLATION-SEQUENCE.htmlGuide✓ Live
Constructionconstruction-guides/TREATMENT-LAYOUTS.htmlGuide✓ Live
Constructionconstruction-guides/PENETRATION-SEALING.htmlGuide✓ Live
Constructionconstruction-guides/JUNCTION-ISOLATION.htmlGuide✓ Live
Constructionconstruction-guides/TESTING-COMMISSIONING.htmlGuide✓ Live
Constructionconstruction-guides/INSPECTION-CHECKPOINTS.htmlGuide✓ Live
Constructionconstruction-guides/STUDIO-SIGNAL-INFRASTRUCTURE.htmlGuide✓ Live
Constructionconstruction-guides/LIGHTING-INFRASTRUCTURE.htmlGuide✓ Live
Constructionconstruction-guides/LOCAL-ALTERNATIVES.htmlGuide✓ Live
Constructionconstruction-guides/FIRE-LIFE-SAFETY.htmlGuide✓ Live
Constructionconstruction-guides/WALL-SECTIONS.htmlGuide✓ Live
Constructionconstruction-guides/DOOR-DETAILS.htmlGuide✓ Live
Constructionconstruction-guides/FLOOR-CEILING.htmlGuide✓ Live
Constructionconstruction-guides/MATERIAL-SPECS.htmlGuide✓ Live
Constructionconstruction-guides/ELEVATIONS.htmlGuide✓ Live
Constructionconstruction-guides/COMPREHENSIVE-ELEVATIONS.htmlGuide✓ Live
Constructionconstruction-guides/HVAC-PENETRATIONS.htmlGuide✓ Live
Constructionconstruction-guides/MASTER-DRAWING.htmlDrawing✓ Live
Constructionconstruction-guides/SOUND-LOCK-DETAIL.htmlGuide✓ Live
Constructionconstruction-guides/EQUIPMENT-PLACEMENT.htmlGuide✓ Live
Constructionconstruction-guides/DESK-FABRICATION.htmlGuide✓ Live
Constructionconstruction-guides/ACOUSTIC-PANEL-FABRICATION.htmlGuide✓ Live
Constructionconstruction-guides/ACOUSTIC-DOOR-FABRICATION.htmlGuide✓ Live
Constructionconstruction-guides/FINISH-SCHEDULE.htmlGuide✓ Live
Constructionconstruction-guides/HARDWARE-SCHEDULE.htmlGuide✓ Live
Constructionconstruction-guides/ELECTRICAL-INFRASTRUCTURE.htmlGuide✓ Live
BOMsbom/MASTER-BOM.htmlBOM✓ Live
BOMsbom/AV-EQUIPMENT.htmlBOM✓ Live
BOMsbom/BOM-WALLS.htmlBOM✓ Live
BOMsbom/BOM-HVAC.htmlBOM✓ Live
BOMsbom/FLOORING-BOM.htmlBOM✓ Live
BOMsbom/BOM-TREATMENT.htmlBOM✓ Live
BOMsbom/BOM-DOORS-WINDOWS.htmlBOM✓ Live
BOMsbom/BOM-ELECTRICAL.htmlBOM✓ Live
Chartscharts/RT60-COMPARISON.htmlChart✓ Live
Chartscharts/NC-CURVES.htmlChart✓ Live
Chartscharts/MODAL-DENSITY.htmlChart✓ Live
Chartscharts/STC-WALL-COMPARISON.htmlChart✓ Live
Studystudy/DESIGN-DECISIONS.htmlReport✓ Live
Studystudy/GLOSSARY.htmlReference✓ Live
Toolstools/acoustic-calculator.htmlTool✓ Live
Toolstools/FLOOR-PLAN-EXPLORER.htmlTool✓ Live

14 — Professional Notices

Performance Responsibility

All acoustic performance targets (RT60, NC, STC) stated in this document are design predictions based on Sabine/Norris-Eyring calculations using manufacturer-published absorption coefficients and STC ratings. Actual field performance depends on construction quality, material substitutions, and site conditions. Post-construction verification testing is required to confirm compliance.

Field STC Advisory

Field-measured STC values are typically 3–7 dB below laboratory ratings due to flanking paths, penetrations, construction tolerances, and edge conditions. All wall assemblies in this document include both lab STC and estimated field STC ranges. Design decisions should be based on field expectations, not lab ratings.

Isolation Scope Statement

This acoustic design addresses airborne sound isolation between rooms within the MediaVerse zone. It does not address: (a) impact noise from floors above, (b) structure-borne vibration from building mechanical systems, (c) external noise intrusion from outside the basement perimeter, or (d) electromagnetic interference. These items require separate specialist assessment if relevant.

Modification Policy

Elements marked [AC] (Acoustic Critical) in this document are integral to the acoustic performance of the facility. Any modification, relocation, or omission of [AC] elements requires re-evaluation of the affected acoustic calculations and may void the performance predictions stated herein. All proposed changes must be reviewed and approved before implementation.

Basis of Design

This acoustic study is based on architectural DXF drawings B301–B308, dated March 28, 2026, prepared by Sara Kalash of Threefold Studio. All dimensions, room geometries, and spatial relationships are extracted and verified from these drawings. Any revision to the architectural drawings after this date may require corresponding updates to the acoustic design.