Charts

RT60 Comparison

Reverberation time across octave bands for all 3 rooms. Eyring correction applied for heavily treated rooms. Light bars = target, solid bars = achieved (Sabine).

RT60 Comparison — All Rooms

0.0s0.1s0.2s0.3s0.4s0.5s0.6s0.7s125 Hz250 Hz500 Hz1k Hz2k Hz4k HzVO LiveControlVideo/Podcast

VO Live

FrequencyTargetAchievedDeviationStatus
1250.20s0.384s+0.184s+0.18
2500.20s0.259s+0.059s+0.06
5000.20s0.223s+0.023s+0.02
1k0.20s0.210s+0.010s+0.01
2k0.20s0.216s+0.016s+0.02
4k0.20s0.223s+0.023s+0.02

Mid-band (500 Hz–1 kHz) RT60 = 0.217s. Bands ≤ 250 Hz sit below the Schroeder frequency (273 Hz) — Sabine over-predicts here; controlled by the 3 corner traps + 3× 125 Hz membranes.

Control

FrequencyTargetAchievedDeviationStatus
1250.30s0.573s+0.273s+0.27
2500.30s0.395s+0.095s+0.10
5000.30s0.338s+0.038s+0.04
1k0.30s0.276s-0.024s-0.02
2k0.30s0.244s-0.056s-0.06
4k0.30s0.243s-0.057s-0.06

Mid-band RT60 = 0.307s (Schroeder 253 Hz). Bass buildup from three coincident modes (~62–67 Hz) is handled by 3 full traps + 1 soffit trap + 3 membranes.

Video/Podcast

FrequencyTargetAchievedDeviationStatus
1250.30s0.607s+0.307s+0.31
2500.30s0.362s+0.062s+0.06
5000.30s0.283s-0.017s-0.02
1k0.30s0.261s-0.039s-0.04
2k0.30s0.269s-0.031s-0.03
4k0.30s0.281s-0.019s-0.02

Mid-band RT60 = 0.284s — beats target (Schroeder 130 Hz, high 3.40 m ceiling raises volume). This is the green-screen (flat green) reference state. Low Schroeder means most of the audible range is statistical; 6 deep superchunk traps tame the 125 Hz mode.

Technical Notes

Eyring Correction

For rooms where average absorption > 0.3 (VO Live, Control), Eyring correction gives more accurate results than Sabine. Both methods are shown in the Main Report.

Why Each Room Has Its Target

VO Live (0.20s target, 0.217s achieved): Voice recording needs minimal coloration.
Control (0.30s target, 0.307s achieved): Mixing requires a neutral monitoring environment.
Video/Podcast (0.30s target, 0.284s achieved): On-camera talk/podcast production needs controlled but not dead acoustics.